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Beauty:
Beauty is a characteristic of a person, place, object, or idea that provides a perceptual experience of pleasure, meaning, or satisfaction. Beauty is studied as part of aesthetics, sociology, social psychology, and culture. As a cultural creation, beauty has been extremely commercialized. An "ideal beauty" is an entity which is admired, or possesses features widely attributed to beauty in a particular culture.

The experience of "beauty" often involves the interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. Because this is a subjective experience, it is often said that "beauty is in the eye of the beholder." In its most profound sense, beauty may engender a salient experience of positive reflection about the meaning of one's own existence. A subject of beauty is anything that resonates with personal meaning.

In Koine Greek, beauty was associated with "being of one's hour". A ripe fruit (of its time) was considered beautiful, whereas a young woman trying to appear older or an older woman trying to appear younger would not be considered beautiful.

History of Beauty:
The earliest Western theory of beauty can be found in the works of early Greek philosophers from the pre-Socratic period, such as Pythagoras. The Pythagorean school saw a strong connection between mathematics and beauty. In particular, they noted that objects proportioned according to the golden ratio seemed more attractive. Ancient Greek architecture is based on this view of symmetry and proportion. Modern research also suggests that people whose facial features are symmetric and proportioned according to the golden ratio are considered more attractive than those whose faces are not.

Symmetry is also important because it suggests the absence of genetic or acquired defects. Although style and fashion vary widely, cross-cultural research has found a variety of commonalities in people's perception of beauty. Large eyes and a clear complexion, for example, are considered beautiful in both men and women in all cultures. Neonatal features are inherently attractive and youthfulness in general is associated with beauty.

There is evidence that a preference for beautiful faces emerges early in child development, and that the standards of attractiveness are similar across different genders and cultures.

The foundations laid by Greek and Roman artists have also supplied the standard for male beauty in western civilization. The ideal Roman was defined as tall, muscular, long-legged, with a full head of thick hair, a high and wide forehead – a sign of intelligence – wide-set eyes, a strong browline, a strong perfect nose and profile, a smaller mouth, and a strong jaw line. This combination of factors would, as it does today, produce an impressive "grand" look of handsome masculinity.

Beauty ideals may contribute to racial oppression. For example, a prevailing idea in American culture has been that black features are less attractive or desirable than white features. The idea that blackness was ugly was highly damaging to the psyche of African Americans, manifesting itself as internalized racism. The black is beautiful cultural movement sought to dispel this notion. Conversely, beauty ideals may also promote racial unity. Mixed race children are often perceived to be more attractive than their parents because their genetic diversity protects them from the inherited errors of their individual parents.

Human Beauty:
The characterization of a person as “beautiful”, whether on an individual basis or by community consensus, is often based on some combination of inner beauty, which includes psychological factors such as personality, intelligence, grace, congeniality, charm, integrity, congruity and elegance, and outer beauty, which includes physical factors, such as health, youthfulness, sexiness, symmetry, averageness, and complexion.

A common way to measure outer beauty, as based on community consensus, or general opinion, is to stage a beauty pageant, such as Miss Universe. Inner beauty, however, is more difficult to quantify, though beauty pageants often claim to take this into consideration as well.

A strong indicator of physical beauty is "averageness", or "koinophilia". When images of human faces are averaged together to form a composite image, they become progressively closer to the "ideal" image and are perceived as more attractive. This was first noticed in 1883, when Francis Galton, cousin of Charles Darwin, overlaid photographic composite images of the faces of vegetarians and criminals to see if there was a typical facial appearance for each. When doing this, he noticed that the composite images were more attractive compared to any of the individual images. Researchers have replicated the result under more controlled conditions and found that the computer generated, mathematical average of a series of faces is rated more favorably than individual faces. Evolutionarily it makes logical sense that sexual creatures should be attracted to mates who possess predominantly common or average features.

Another feature of beautiful women that has been explored by researchers is a waist-to-hip ratio of approximately 0.70 for women. The concept of waist-to-hip ratio (WHR) was developed by psychologist Devendra Singh of the University of Texas at Austin. Physiologists have shown that this ratio accurately indicates most women's fertility. Traditionally, in premodern ages when food was more scarce, overweight people were judged more attractive than slender. Beauty is not solely limited to the female gender. More often defined as 'bishonen,' the concept of beauty in men has been particularly established throughout history in East Asia, and most notably, in Japan. This is distinct from the idea of being metrosexual, which focuses mainly on the behavior of men in traditionally feminine ways. Bishonen refers to males with distinctly feminine features, physical characteristics establishing the standard of beauty in Japan and typically exhibited in their pop culture idols. The origin of such a preference is uncertain but it clearly exists even today.

Inner Beauty:
Inner beauty is a concept used to describe the positive aspects of something that is not physically observable.

While most species use physical traits and pheromones to attract mates, some humans claim to rely on the inner beauty of their choices. Qualities including kindness, sensitivity, tenderness or compassion, creativity and intelligence have been said to be desirable since antiquity.

Effects on Society:
Beauty presents a standard of comparison, and it can cause resentment and dissatisfaction when not achieved. People who do not fit the "beauty ideal" may be ostracized within their communities. The television sitcom Ugly Betty portrays the life of a girl faced with hardships due to society's unwelcoming attitudes toward those they deem unattractive. However, a person may also be targeted for harassment because of their beauty. In Malèna, a strikingly beautiful Italian woman is forced into poverty by the women of the community who refuse to give her work in fear that she may "woo" their husbands.

Researchers have found that good looking students get higher grades from their teachers than students with an ordinary appearance. Furthermore, attractive patients receive more personalized care from their doctors. Studies have even shown that handsome criminals receive lighter sentences than less attractive convicts. How much money a person earns may also be influenced by physical beauty. One study found that people low in physical attractiveness earn 5 to 10 percent less than ordinary looking people, who in turn earn 3 to 8 percent less than those who are considered good looking. Discrimination against others based on their appearance is known as lookism.

St. Augustine said of beauty "Beauty is indeed a good gift of God; but that the good may not think it a great good, God dispenses it even to the wicked."

Aesthetics or esthetics (also spelled æsthetics) is commonly known as the study of sensory or sensori-emotional values, sometimes called judgments of sentiment and taste. More broadly, scholars in the field define aesthetics as "critical reflection on art, culture and nature." Aesthetics is a subdiscipline of axiology, a branch of philosophy, and is closely associated with the philosophy of art. Aesthetics studies new ways of seeing and of perceiving the world.

Variations in the physical appearance of humans, known as human looks, are believed by anthropologists to be an important factor in the development of personality and social relations in particular physical attractiveness. There is a relatively low sexual dimorphism between human males and females in comparison with other mammals. However humans are acutely sensitive to variations in physical appearance, some theorize for reasons of evolution. Some differences in human appearance are genetic, others are the result of age or disease, and many are the result of personal adornment.

Some people have traditionally linked some differences in personal appearance such as skeletal shape with race, such as prognathism or elongated stride (but this is a controversial and sensitive matter). Different cultures place different degrees of emphasis on physical appearance and its importance to social status and other phenomena.

Beauty in Nature:
Nature is a word used in two major sets of ways, which are inter-connected in a complex way, for reasons related to the history of science, epistemology and metaphysics, particularly in Western Civilization.

1. In modern scientific writing "nature" refers to all directly observable phenomena of the "physical" or material universe, and it is contrasted only with any other sort of existence, such as spiritual or supernatural existence. In a scientific text, the unqualified term “nature” normally means the same as “the cosmos” or “the universe”.

2. Historically, and also in casual speech, “nature” does not include all things, because it excludes the artificial or man-made. For example it generally does not include manufactured objects, and also generally does not include human interaction. In this case, the unqualified term “nature” generally means the same as “wilderness” or “the Natural environment”.

Connected to this second meaning, "nature" also refers to the essential properties of any particular type of thing, which exist apart from particular things, for example in the phrase "human nature".

To the extent that people might see Nature or the "natures" of things separate from the things themselves, for example if they would believe that human nature exists separately from humans, then they are in conflict with the modern scientific understanding of Nature, and their own understanding hearkens back to a debate within Classical Greek philosophy, which has never quite been resolved.

Mathmatical Beauty:
Many mathematicians derive aesthetic pleasure from their work, and from mathematics in general. They express this pleasure by describing mathematics (or, at least, some aspect of mathematics) as beautiful. Sometimes mathematicians describe mathematics as an art form or, at a minimum, as a creative activity. Comparisons are often made with music and poetry. Bertrand Russell expressed his sense of mathematical beauty in these words:
Mathematics, rightly viewed, possesses not only truth, but supreme beauty — a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show. The true spirit of delight, the exaltation, the sense of being more than Man, which is the touchstone of the highest excellence, is to be found in mathematics as surely as poetry.

Paul Erdos expressed his views on the ineffability of mathematics when he said, "Why are numbers beautiful? It's like asking why is Beethoven's Ninth Symphony beautiful. If you don't see why, someone can't tell you. I know numbers are beautiful. If they aren't beautiful, nothing is."

Beauty as a Part of Sexual Attraction:
In a species that reproduces sexually, sexual attraction is an attraction, usually, to other members of the same species for sexual or erotic activity. This type of attraction often occurs amongst individuals of a sexually-reproducing species, although in many species it serves no immediate reproductive goal – indeed, some sexual behavior among primates is undertaken as a social activity.

Certain aspects of what is sexually attractive to humans may differ amongst particular cultures or regions. Influencing factors may be determined more locally among sub-cultures, across sexual fields, or simply by the preferences of the individual. These preferences come about as a result of a complex variety of genetic, psychological, and cultural factors. The sexual attraction of one person to another depends on both people.

Much of human sexual attractiveness is governed by physical attractiveness. This involves the impact one's appearance has on the senses, especially in the beginning of a relationship:
Visual perception (how the other looks and acts)
Audition (how the other's voice and/or movements sound)
Olfaction (how the other smells, naturally or artificially; the wrong smell may be repellent)
As with other animals, pheromones may also enter into the picture, though less significantly. Theoretically, the "wrong" pheromone may cause someone to be disliked, even when they would otherwise appear attractive. Frequently a pleasant smelling perfume is used to encourage the member of the opposite sex to more deeply inhale the air surrounding its wearer[citation needed], increasing the probability that the pheromones from the individual will also be inhaled. The importance of pheromones in human relationships is probably limited and is widely disputed, although it appears to have some scientific basis.

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